![]() ![]() But hey, nobody knows what Bob Dylan is talking about on some of his best songs, either. Lyrically, Rateliff seems to be coming from an intensely personal place, to the degree that it's often difficult to determine the specifics of the scenarios presented in his songs, but when he throws some hard images into the mix - which happens with some regularity throughout the album - the listener is given something winningly idiosyncratic to latch onto and ponder, even if it doesn't quite make the emotional intent clearer. A couple of tracks - "Whimper and Wail" and "A Lamb on the Stone" - feature a full rhythm section and pick up the tempo a bit, but for the most part, this an album of ballads in the grand troubadour tradition. Most of the cuts on In Memory of Loss contain little more than acoustic guitar, bass, and piano backing Rateliff's voice, which comes off as a cross between M Ward and the late Vic Chesnutt in both physical and emotional tone. Packaging All items are shipped brand-new and unopened in. Instead, he gives Rateliff plenty of room to do his thing, keeping the tracks agreeably spare and letting the songs themselves remain front and center. Protection Each record is protected within its record sleeve by a white vellum anti-dust sleeve. Producer Brian Deck, who has worked with the likes of Iron and Wine and Modest Mouse, is at the helm here, but he doesn't weigh the album down with a lot of excess arrangements. Nevertheless, Rateliff's Rounder debut marks the first time he has recorded strictly under his own name. He started out as part of a band called Born in the Flood before cutting Desire and Dissolving Men, an album of homemade recordings, under the name the Wheel on Denver-based micro-indie Public Service Records. Now, the wider world is ready for Nathaniel Rateliff.Singer/songwriter Nathaniel Rateliff, who hails from a tiny town in Missouri, makes his official solo debut with In Memory of Loss. The release will also be available for the first time ever on vinyl as a 180 gram double LP with new. The album is remixed and remastered and features two additional tracks: You Make All The Noise and Pounds and Pounds. This persistent troubadour has struggled and persevered to this point. Nathaniel Rateliff ’s solo album, In Memory of Loss, will be reissued on Friday, May 19 via Concord Records. His voice is so confident that you can occasionally imagine the music dropping out entirely, a song propelled solely by Rateliff’s a capella strengths – equal parts church spiritual and TV On The Radio riffing on The Pixies. These thirteen tracks, with their soulful minimalism, hint of the music he grew up on – Van Morrison, Muddy Waters, The Beatles – yet Rateliff is also at home in what may be called, for lack of a better term, the neo-folk revival. It’s both fresh and classic, imbued with a melancholy nostalgia, the rough candor of rock ‘n roll’s past and the warmth and earnestness of folk storytellers. ![]() Not exactly new to the scene, it was back in 2007 that he released his first album as Nathaniel Rateliff and the Wheel, before following it up with solo albums In Memory of Loss in 2010 and Falling Faster Than You Can Run in 2012. Rateliff’s debut album is rooted in a bygone era. Opportunity has taken a long time to come knocking on Rateliff’s door. In Memory of Loss is a stunning, heartbreaking sonic document from a singer-songwriter who’s made his way from a childhood in Bay, Missouri (pop. The space comes courtesy of producer Brian Deck (Califone, Iron & Wine, Modest Mouse), who helped transform 8-track bedroom demos into miniature epics of contrast, beauty, and yearning. That voice belongs to Nathaniel Rateliff, a man who’s earned the twang and hard-knock weariness that shines through on his Rounder debut. The first things you notice are the voice and the space. ![]()
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